This end of the pooling of the universe has the major risk of dismantling

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shishir.seoexpert1
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Joined: Tue Jan 07, 2025 6:22 am

This end of the pooling of the universe has the major risk of dismantling

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The acceleration of the infinite circulation of information that we already observe on social networks is becoming a lever for commodification and dissemination. The troll's good word will gain value as soon as it transforms into a meme supported by structured social groups. If everyone monetizes their comment with the hope of gain as the driving force for production, how can we emerge from the flow of production of signs on the screen? ©Nabil-Saleh The End of the Public and the Limits of Truth These developments in the circulation, production, value and ownership of information staging then transform the way in which we inform, and therefore access to information itself becomes a key element.


Because if everything circulates in the procedural spaces of the gambling data uae metaverse, it is the very dimension and purpose of this space, falsely public, which disrupts the journalistic and democratic process. The metaverse, etymologically, is not the meta-universe, the universe of universes, this shortcut is a decoy. The detour through etymology brings us to meta – vertere . Meta, in Greek, means succession, change, transformation, when in Latin verto, vertere translates the idea of ​​directing oneself, of conversion from one form to another. The universe is a transformation into one, the uni , or a pooling when the metaverse is only a process, the transformation of the transformation, a true tautology, movement off the ground, permanent, cyclical, non-linear flow.

The public space for community spaces. It is not because 1000 people will be online that there is a public space. A concert is not a public space, but a space for pooling an emotion. Applied to the political field and the media, the shift from debate to emotion favors the triumph of the imaginary, whose war between the majors of entertaining content rages to set up fictional universes, with rites and beliefs, and sacralization of the image by audiences transformed into communities.
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