The Power of Global Trade Shows in International Lead Building

[shishir.seoexpert1]

It was called "In your soul and conscience" on the first channel. The future bosses of the major reporting magazine "5 colonnes à la Une" created this show broadcast for almost 20 years in prime time on the first channel. For them, there was no break between the story of the courtroom and that of wars or disasters in the news and magazines. It was still and always a report... but immobile , a singular story to tell, the fruit of an investigation to bring to life, to share. For 90 minutes, live - as for real trials - the hearing took place. The tension was palpable, despite their great talents, some actors stammered, the cameras rattled, the sound came and went... But it didn't matter. The plot developed in the reality of the post-war period was here brought to its maximum.

And it was fascinating. At the end of his personal investigation, the citizen spectator arbitrated and appreciated the judgment of justice.



Moreover, this production of truth that punishes or absolves will constitute the driving force of another series that has remained in the memories. "Gentlemen the Juries" staged fictitious trials for more than 10 years on the second channel this time. Viewers played the role of jurors in this reconstructed assize court. We watched their deliberation, then came the time to vote. This time, the dramaturgy included the process of deciding on the sentence to be imposed. The investigation of the average person was now part of the televised judicial truth, and it mattered little that the latter was pure fiction. The truth-establishing system specific to justice worked, that was the main thing.

Robert Hossein did the same in the service of a popular gambling data australia theatre tasked with revisiting the major issues in French history, from Marie-Antoinette to the Seznec affair, including that of the Courrier de Lyon. At the risk of seeing the judicial crucible produce a purely formal spectacle.

This was the case of "Stars à la barre" where personalities, helped by lawyers, confronted each other on the themes of the day. A verdict was rendered by a jury present on the set. At the end of the 80s, the show was short-lived. The image of justice was beginning to fade. The exact opposite of the American trajectory.

The image of justice, a powerful constant in American culture



There, the legal narrative flourished. The story is well-known. In 1959, television filmed its first trial . 40 years earlier, the cinema, although silent at the time, had told the story of a man wrongly accused of murder. DW Griffith made this film called "The Mother and the Law". It was a fictional film. The visual account of a real trial was made, still in cinema, in 1935 with the judgment of Bruno Hauptman accused of having kidnapped and killed the child of the Lindberg couple.